Maus

Maus deeply effected me. I loved the way Art Spiegelman interlaced the two storylines, the one taking place in the present focusing on his less than perfect relationship with his father and the recounting of Valdek's experience as a Polish Jes during Nazi reign. I believe this manipulation of the narrative is particularly important to the success of the piece because it helps remind the audience that we hear from Vladek comes second hand, the story he tells in through a filter. Art struggles to not only write his book truthfully, but simply just to tolerate being around him.

I particularly liked the way Spiegelman characterized the people, instead of humans he depicts them as animals. This device really establishes the divides between different groups during World War II. The Jews being mice comes from Nazi propaganda actually used during the time. But it also really establishes not only the way Nazi's looked at Jews as less than human (they're literally vermin) but I believe it also helps support the way the Jews looked at themselves, perpetually caught in a 'game' of cat and mouse. Not only are the Jews mice, Nazis and Germans are depicted as cats. The symbolism, though when described to someone who doesn't read comics seems almost belittling to the subject, it works flawlessly. The races aren't squeaky clean representation, there is depth and substance to each animal. Polish people are pigs, Americans are dogs, not doves and eagles which may represent honor and redemption. Each animal race reminds the audience that each side of the Holocaust had it's flaws. I don't think it blames anyone, but it's simply a truth not to be forgotten. Vladek himself is not without prejudice, he has a racist rant at one point over Art picking up a black hitchhiker, he refuses to talk to him in English and automatically assumes he will steal their groceries.

The sophistication of Maus is immense, there are so many details and levels to each decision made in the book. Each S in the dialogue is the lighting bolt from Nazi SS. When Anja and Vladek go into hiding their path looks like a Swastika. These small details are so have a great impact on the reader and reminds us that this event and this time in Vladek's life has influenced Art's entire existence. Part of what makes Maus so good is that it's so honest and refuses to look away when experiences and relationships get tough. Coinciding with Vladek's story is one of a son who can't stand being around his own father, who has endured so much. Art struggles not to love his father, that is evident, but to accept him with all his flaws. He blames him for his mothers suicide, the guilt he feels for being the child that lived, for never being able to truly understand what he went though so he could survive. This raw nature of the piece resonates with each page, piece of dialogue and brushstroke. I don't know if Art ever got through all those issues that while his father was alive, but I think that Maus is truly a labor of love and we as an audience benefit from his confessional honesty.

Tits and Clits!!

The ultimate dilemma upon discovery of the thing.

Doubtful...

A concerned almost rapist reminds the young lass to lock her doors.

Too true.

Distractions from masturbation are the worst.

What a catch phrase.

When choosing an underground comic it's important to choose wisely. I of course, gravitated towards the publication titled 'Tits and Clits' (GREAT title), since I have both I felt I could probably relate to the subject matter. Turns out, I was right. This little comic is made by women about sex from a female perspective - one of my favorite things. Considering the time period and the culture of feminism at the time I found the themes they cover to be pretty revolutionary. 

I always think of feminism of the seventies to be a little more academic, middle class white ladies working towards equal rights and equal pay - which is true. However in 'Tits and Clits' they cover masturbation, humerus rape scenarios, girl on girl homosexuality, and women of color. These are all subjects I enjoy reading about in popular third wave feminism, but when I think of Gloria Steinem or The Feminine Mystique these conversations aren't a part of the dialogue. It makes sense that these subjects were talked about and obviously concerns to women of the seventies, of course these were topics they were talking about. Perhaps I was a little naive in thinking that these issues were off limits. 

When it comes to the artwork I loved the joyfulness and the range of styles, some look like 'For Better or For Worse', some have a dark sketchy quality and some look like a derivative of superhero comics. It certainly isn't 'drawn well' but it encapsulates a specific kind of raw energy. These girls are angry, hilarious, upset, and horny and they refuse to apologize for the way they feel and I think the way they draw lends to that attitude. This esthetic is something that really attracted me to feminism in the first place, particularly the Riot Grrrl movement and feminism of the nineties. It's delightful to see that these big topics, rape, sexual autonomy, masturbation, etc. were a part of the overall discussion all along.